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Marefumi Komura ‘Big ship’

MAY 19 - JUNE 17, 2018

PAST

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Marefumi Komura ‘Big ship’

MAY 19 - JUNE 17, 2018

The Mass is open Thursday through Monday, 12:00 – 19:00
Closed Tuesday and Wednesday
Admission: Free
 
The Mass is pleased to present Marefumi Komura’ solo exhibition Big Ship.


 
In his new “subtraction” series, instead of building up layers of paint, Komura takes away thin washes of colour down to lines and scrapes in an attempt to express fragility, impermanence and imperfection.
 


The title Big Ship, a metaphor for the beleaguered state of Japan adrift on the sea of globalisation or even a symbol of the chaotic course of the cosmos, came to Komura in an intuitive flash after the death of his grandmother.
 


The word ship, or scip in Old English, derives from the Indo-European skep, meaning “cut” or “trim”, yet partakes of the notion of skipan “shaping” that suffixes such compounds as friendship or relationship — hence it somehow reflects elements of Komura’s method of “shaping by removing”. His images hint at lost senses, evoking hidden landscapes, reawakening primal memories.

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ECAL Design for Luxury & Craftsmanship

MARCH 24 - APRIL 22, 2018

The Mass is open Thursday through Monday, 12:00 – 19:00
Closed Tuesday and Wednesday
Admission: Free
 
The Mass is pleased to present ‘ECAL Design for Luxury & Craftsmanship’, a selection of student projects of ECAL/University of Art and Design Lausanne from their Master of Advanced Studies in Design for Luxury & Craftsmanship.
 
The exhibition highlights some of the many collaborations undertaken with international brands from the fields of luxury and craftsmanship. In addition to the exhibited prototypes, a selection of mock-ups and sketches illustrates the students’ creative process.
 
ECAL / University of Art and Design Lausanne (Switzerland)
 
As a school of international renown in the fields of design, photography, graphic design, cinema, new technologies and art, ECAL has been constantly ranked among the top 5 art and design schools. Since 2011, ECAL has been headed by Alexis Georgacopoulos and it has grown and established itself as a leader in the creative world. This could not have been achieved without the involvement of skilled practitioners, artists and designers of global renown or the many collaborations and commissions for cultural companies and institutions. As a consequence, ECAL students acquire a sound knowledge and benefit from a challenging practice-oriented education.
 
The Master of Advanced Studies in Design for Luxury & Craftsmanship (MAS DLC)
 
This unique course is specifically aimed at Bachelor and Master graduates who wish to further their design education in areas of excellence as varied as ne watchmaking, tableware, fashion, gastronomy, ‘Métiers d’Art’ or who wish to learn particular techniques with regards to the use of noble materials. The students (fifteen or so each year from all over the world) are able to work in collaboration with high-profile companies, which can draw on a heritage of a hundred years or more, and to gather skills from workshops organized by major players from the international design scene.

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Takeshi Masada

NOVEMBER 18 - DECEMBER 17, 2017

The Mass is open Thursday through Monday, 12:00 – 19:00

Closed Tuesday and Wednesday

Admission: Free

 

ARTIST TALK on November 25th from 14:00 to 15:00.

Takeshi Masada × Tomoaki Ishihara (Guest Artist)

Entrance: Free

 

The Mass is pleased to present Takeshi Masada first solo exhibition in five years.

 

Basing his work on a story of “Madness” and “Purification”, Masada once again awakens a unique expressive style taking three-dimensional forms, creating both sculptural works made using Cray-pas oil pastels in unconventional ways and oil paintings rendered on large canvases.

 

A selection of collaborations produced by Takeshi Masada × fragmentdesign × NOMA t.d. will be available in our store during the exhibition.

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Nick Knight Rose Portfolio

JUNE 30 - JULY 30, 2017

The Mass is open Thursday through Monday, 12:00 – 19:00
Closed Tuesday and Wednesday
Admission: Free
 
The Mass is pleased to present a SHOWstudio takeover.
 
Drawn to the sublime, yet delicate beauty of flowers, photographer Nick Knight began an almost daily ritual in 2010. During the summer months, Knight began cutting roses from his own garden, laying them out into carefully arranged floral still lifes. Capturing the eternally changing blossoms, colours and foliage of the roses from his garden, the resulting images are meditations on nature’s cycles, and the fleetingness of human existence. Like the Dutch still lifes of the 16th century, Knight’s hyperrealistic compositions consider the universe’s quintessential paradoxes; life and death, beauty and decay.
 
A selection of images from this wonderfully personal series have been released as part of a limited edition print portfolio. The portfolio includes 12 compositions (24 x 24 in.) which come in a beautiful, custom-made clothbound clamshell box. The images in the portfolio were shot between 2010-2012.

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71-84

MAY 27 - JUNE 25, 2017

The Mass is open Thursday through Monday, 12:00 – 19:00

Closed Tuesday and Wednesday

Admission: ¥1,000 (free for students)
 
This exhibition explores movements such as music, art and fashion that were created during 1971 and 1984.

 
71-84 Book fully illustrated in nine volumes boxed with in a slipcase, 1,468 pages. Designed by mo’des book.

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Henry Leutwyler ‘DOCUMENT’

MARCH 24 - APRIL 15, 2017

The Mass is open Thursday through Monday, 12:00 – 19:00

Closed Tuesday and Wednesday

Admission: Free

 

We are happy to present Henry Leutwyler’s first solo exhibition in Japan. Document, an exhibit chronicling a twelve-years project.
Henry Leutwyler was born in Switzerland in 1961. He lived and worked in Paris for a decade before finding his way to New York City in 1995, where he established his reputation as portrait and still life photographer.

 

Steidl published Leutwyler’s first book Neverland Lost: A Portrait of Michael Jackson, in 2010. The first edition of Ballet was published in 2012, the second edition in 2015. The images from Ballet and Neverland Lost have been exhibited in solo shows in Los Angeles, New York, Paris, Moscow, Madrid and Zurich. His work has graced the pages of numerous magazines around the world and has earned him countless honors and awards.

 

A glove worn by Michael Jackson, James Dean’s door at the Iroquois Hotel symbolize the only stability in the nomadic existence of a young actor whose career was skyrocketing, Jean-Michel Basquiat’s hip Issey Miyake sunglasses, James Gandolfini’s Cadillac – his favorite possession, Astronaut and Apollo 14 crew member Alan Shepard’s golf club used to play golf on the moon, to name a few.
Leutwyler says “The people I was really interested in died before I could photograph them, so I thought, Let me make a list of my heroes and some villains and research what they owned.” (ARTE FUSE, 2016)

 

We will exhibit a selection of 45 photographs from Document which features the issues of American History over 100 years.

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12×12 ART×MUSIC

FEBRUARY 25 – MARCH 19, 2017

The Mass is open Thursday through Monday, 12:00 – 19:00

Closed Tuesday and Wednesday

Admission: Free

 

The Mass is pleased to present 12×12 ART×MUSIC – Contemporary Art meets Music on 12 inch square − produced with Seika University Culture Club *(S.U.C.C.).
 
In this exhibition, we are featuring about 80 record jackets designed by artists such as Richard Prince, Damien Hirst, Banksy to name a few.
 
12×12 ART×MUSIC catalog will be available in our store during the exhibition. Edition of 2000
 
*S.U.C.C. is a group of popular culture studies (creation and PR) students formed by Hiroshi Fujiwara who is currently a visiting professor at the Kyoto Seika University.

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Fumio Tachibana ‘Plastic’

NOVEMBER 25 - DECEMBER 18, 2016

The Mass is open Thursday through Monday, 12:00 – 19:00

Closed Tuesday and Wednesday
Admission: Free
 
Tachibana continues to produce work by freely unraveling, collecting, accumulating and arranging letters and paper.
Within his ever-changing 2D and 3D forms, which directly question the origin of letters, it is possible to discover new “characters.”
In this exhibition, sculptural works made in bronze will be presented together with 2D works.
 
Fumio Tachibana is a Japanese artist and graphic designer. Born in 1968 in Hiroshima.

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FLOWER HUDDLE

AUGUST 27 - SEPTEMBER 25, 2016

The Mass is open Thursday through Monday, 12:00 – 19:00

Closed Tuesday and Wednesday

Admission: ¥500

 
The Mass is pleased to present ‘FLOWER HUDDLE’ of collaborations produced by FRAGMENT, Seika University Culture Club (S.U.C.C.) , AMKK. Following showcase produced by S.U.C.C. on December 2015 in Osaka, this is the second installment of “FLOWER HUDDLE”.
 
The walls were filled with framed flower-themed pieces and we’ll also exhibit “Drop Time”, an installation produced by AMKK.
 
A selection of collaborations produced by FRAGMENT×S.U.C.C.×AMKK will be available in our store during the exhibition.

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Avant-Garde Symbolism

JULY 29 – AUGUST 14, 2016

The Mass is open Thursday through Monday, 12:00 – 19:00

Closed Tuesday and Wednesday

Admission: Free

 

In this the first exhibition organized by The Mass, representative Russian avant-garde artworks from the poster collection of Ruki Matsumoto will be introduced with a focus on graphics. Created in the 1920s at a time straddling the Russian Revolution, these poster artworks exist as examples of propaganda (political and philosophical) and movie advertisements serving national cultural policies—as can be inferred from the word “avant-garde,” which was originally a military term—and encapsulate works of visual art that reflect strong political elements. The works shown in this exhibition are referred to as examples of Russian Constructivism, and can be said to directly communicate their meaning through the arrangement and extreme restriction of characters, images and colors in a single image, making it possible to express and convey the essence of “graphics.” This exhibition of Russian avant-garde posters, which represent new culture within a chaotic era that was by no means positive, will provide a valuable opportunity to question the significance of their existence as graphic design forms that stand as innovative and groundbreaking symbols, while retaining the identities of their creators.